flitting post with insects and trees
Day Lily (Hemerocallis variety) in Laura's garden |
The cuckoo
Sweet and solved by no-one
is the cuckoo riddle:
how from such a little horn of feathers
can those wide-stretched notes roll forth?
Just now I heard his ringing,
in the newly-washed birch grove,
but his call is most beautiful when it comes
from the Vale of Eternity,
from the grown-together trees'
one crown.
The woodcutter's ascension
Laid on the block:
"Kinsfolk I have none,
but for this curly-birch stump."
The lopped head, rolling away:
"New-split alder wood is red too."
On the passage, to the ferryman:
"You need to rub the boat with tar,
not with red lead and oil-paint."
To the angels: "With respect,
you look like wood pigeons."
Icarus and Buddy Greystone
After reading 73 (excellent) poems about Icarus,
I wish to put in a word for his country cousin,
Buddy Greystone, left behind in the meadow.
I speak also on behalf of a grass tussock,
which enjoys some shade and shelter from the wind.
After reading 73 poems about flight and wings,
I wish to offer my tribute to the footsole,
the downward-aspiring spirit, the art of staying
and of owning one's weight -- like Buddy Greystone
or his sister, the home daughter Miss Sprucebush,
who is dully but forever green.
[Quick translations of more poems by Werner Aspenström from his 1956 collection Poems under the trees (Dikter under träden).]
Curly birch: also known as Masur Birch, Betula pendula var. carelica. The wood, with squiggly rings due to a genetic defect, is valued for decorative wood carving. It's very dense and hard, so I suppose it would also make a fine headsman's block!
Nettle-leaved Bellflower (Campanula trachelium) in deep woodland in West Swindon. |
My sister Miranda and her family are at Idrefjäll in Dalarna, making me feel very envious. We should have been walking near Kebne about now. Anyway, here's one of their pics:
From Nipfjället |
When I get up each morning at 06:25, I flip on the radio and it's playing the final piece of music from the six-hour "Through the Night" programme. That way I'm fully awake for Radio 3 Breakfast at 06:30. I wander about opening the blinds and greedily relishing the early light.
Through the Night often has more unfamiliar music than the peak-time shows so these first minutes can contain a discovery, and so it was today: Ludvig Norman, one of the many Swedish composers of whom I knew nothing, a contemporary of Frans Berwald. (He also tutored Elfrida Andrée.) The music that took my fancy turned out to be his String Sextet, Op. 18.
At this point I'd normally embed a YouTube performance, but due to the move I'm now back to posting on my phone and I don't seem to have the embedding option. I'm still sleeping in Swindon, but now sharing the flat with little more than a vacuum cleaner, empty boxes and a kettle.
When I've moved I'll be in a house with wifi again. I anticipate a 2 hour riot of listening to Ludvig Norman, perhaps even a download of Through the Night. Then I'll remember that there isn't actually any more time in the day to accommodate all these riches, and I'll revert to digital abstinence.
Labels: Ludvig Norman, Specimens of the literature of Sweden, Werner Aspenström
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