Tuesday, November 22, 2022

Bulverhythe Variations




It caught my eye, I frankly admit, because just over a year ago my sister moved to Bulverhythe (the most westerly part of St Leonards on Sea). 

https://michaelpeverett.blogspot.com/2022/01/epiphany.html

But the more important word in the title is Variations. In its first iteration, the book published by Silverhill Press in 2022, the variations are Elaine Edwards' 32 photographic images, mostly of Bulverhythe beach architecture like the railway footbridge seen here. A starved landscape in many ways, especially in the early morning during lockdown. But nature, in the form of skies, moist air, surface rust and shingle plants, is one aspect of how variations come about. Others arise from the angles of each shot, from the implied movement and the vision that the artist conceives and attracts on a particular day. So we are made to grasp at the infinity in variation, at the same time appreciating the taut limits of this selection. 




In its other iteration, a Reality Street CD (also 2022), Bulverhythe Variations is eleven of Elaine's keyboard variations. You can hear some or perhaps all of them here:

https://afritnebula.bandcamp.com/album/bulverhythe-variations

The keyboard pieces change continuously in ways that can be seen as variations but are not readily assimilable to classical variation form. There must be many closer and more recent analogies, but I was strangely reminded of Mompou's Cants màgics, or of Satie in his more clanging manner. (Elaine's keyboard is most often piano-like, and though these pieces are often strongly rhythmic they are not metronomic or dynamically fixed.)

Both artworks are complete and independent statements, but I did enjoy experiencing them together.

They are also connected by accompanying, or being accompanied by, three texts by Elaine's partner Ken, written in the subtly styled prose that he has also deployed in e.g. a book with no name (Shearsman, 2016). This prose accompaniment sets other streams of variation flowing sideways from the main narrative successions of images and music.  

Here's the extract from the first of Ken's texts, Something Happened, that appears in the pages I photographed above:

There is almost constant wind here, where we sit or stand or lie,
and it is chiefly blowing from the direction of the south-west,
that is the prevailing direction, though sometimes (as a change) easterly,
and one has to endure it, or make provision against it, or go with it,
as is appropriate at any particular instant; for sometimes it's mild,
it softens the cheeks, glorious to relate, and sometimes it's horrid,
but that's how it goes.

It goes and it happens. That is, it sings. It sings as it sounds.
And we sit or stand or lie in our quarters,
which are partially sheltered, it has to be said, which will do.
We are in media res, which is Latin for in the middle of it all,
or in the middle of nowhere.
We are discovered here, or we are in a position to be discovered,
but to be quite frank we hope not to be,
we hope to continue our life with as little fuss as possible. 










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Thursday, March 31, 2022

A Sussex Story





It was an open space that I chopped into squares
but still the wind blows across


A Sussex Story


Gold, gold, the quarterboys! The water moves in the dark
Up here on the hill's deck The wind moves full of water
Waiting for the big clock Hands full of breath
And shreddy tatting of the       Yours and mine
bowlines down there in the      Winding around the hill
polepark: Rain, wind, shoes on stone

Gold, gold, the quarterboys!
The clattering polepark
Cold wind flecked with rain
Up here on the town's deck
And to larboard down there
The wheeling funfair lights in the car-park


Trudging to the door with Sheila in heels
Hammering fiercely on the broad pavement
In the mist like tiny nails in fairy-tales

We came to the blue door of the Horse and Groom
(I can't recall if it was Courage or Harveys)
and fumbling for a moment in chilly calm

That I appreciated even in the middle 
of all our turbulence, I squashed my hat
into one palm and with the other turned the handle   

A glare of illumination,  and wisps of smoke,
a public bar in winter, St Leonards on Sea,
not full but fairly lively for mid-week



the beer-rings round that table & the empties collected in the middle,
fags, Friday-Ad, shiny Golden Virginia tins, and them
                  -- yes, I see them now -- crumbling baccy into papers,
Laughing, like any couple anywhere, but quietly,
Drowned out by raucous floods of beer-buzz from the bar.

We were almost breaking up. There was something like relief
when we saw them in the front bar, Sheila's ex landlady/flatmate 
as she'd become after Sheila had come home to find
her lover cosily in bed with her best friend, 
and home was no longer home, 
so she'd moved downstairs to seek refuge;
I knew her too though not very well, 
I had been over at Pevensey Road to stay
(but then, she must have been away mostly, remembering
                 some of the things we did)
(i.e. the ground floor, the first floor was where Sheila and Bryn had lived
                 before this best friend Vicky sought refuge there
                 -- which was what she had done, though for what 
                 particular trouble I don't recall --
and Sheila coming back early from work, etc.)
                 this was during that short period between 
                 us getting together and Sheila getting her own place
                 in a neat, rather expensive, basement beside the park
                 (she did have two Fitted markings)
Though come to think of it even in those earliest days of us,
                 the Pevensey days, we were almost breaking up... 
Sheila liked her, yes but feared her, she looked worn out, neurotic,
                 unpredictably pissed off, depressed according to Sheila,
                 full of bizarre life that had nothing to do with us.

Madeline. -- the man's name was Rog. A much older man,
Older but actually they went together, dressed in working clothes
Made for the rain, rumpled jackets, fingerless gloves, DMs,
Everything old with plenty of weather through it .

I could see why she liked him. He was a chimney sweep,
Warm, short, powerful, quiet, maybe even shy.
He'd not got away from his wife before.
Most old houses up in the weald or the vineyards he'd swept in the summer
& the town terraces in winter. 
 
This I remember, but not much of what we talked of. 
They were all older than me, I didn't understand anything
And besides, they had not been to university,
Whilst I was in the thick of a PhD.

In the car park at Firehills, plenty of cars late at night,
the coast of Romney Marsh impossibly drawn out to the misty nova of Dungeness
Rye and Rye Harbour closer, radar turning, 
a single red light in the sky above the coastguard station.
I would stub out my fag and drive down to The Lamb at the Kent ditch.... 
or go back via Paul McCartney's house. 
The whole place was a mournful playground,
and me an ignorant Kipling in a Polo.

Then one day, a year later, 
Tired of running away to Canterbury on my own
To conceal wounds re-opened by Sheila
(Now ex) and my own flatmate Tim fooling around together
I heard about Madeline, and we started going drinking
In Rye, listening to the blues bands, delicate with each other,
Not afraid of tears, more or less knowing the position,
Conceding the quirks of desperate emotion,
The times when you have to stop the car, right here,
And breathe, roll a fag, and wait until you can say the words:
I'm all right now. Sorry. It's all right. Let's carry on. 

I learnt much more than I could take in about her
In the deep gulfs that patrol a beer-filled evening
                  of friendship with a possible lover.
(I put my arm around her once, 
At night on the beach at St Leonards,
                  a pass as light as a butterfly's wing.)
Near that spot she had once been a barmaid for the fishermen's club,
But now she was a primary-school teacher, 
                  misplaced in a too-Christian school
And pretty soon after we became friends
                  she jacked it in and started supply.
 (She was also a morris dancer in a 
                  female troupe called Daisy Roots.)
Our families and relationships poured out on the table
                  or in the dark car after closing time.
Somehow, because of the holy lack of sex,
                  we trusted each other, we told secrets.
Sometimes she made me laugh more than anyone ever.

Rog had died without warning,
One of those merciless heart attacks that do the job in one.
As it happened, Maddy had sort of finished it with Rog,
Not meaning it to end (this occurred sometimes), so
She hadn't found out for two weeks, 
She wasn't in contact with the wife,
The funeral was over and done with.

It was a cremation, she had absolutely nothing to remember him by.
It had been a very private affair, no friend had seen much of them. 

(That time in the golden bar,
Once crossing over at the house in Pevensey Road, 
the four of us sharing a pot of tea...)

But his yacht was still moored at Rye. Over and over
we drove to where his yacht was moored,
Waiting for something to happen. & the dark water slapped, & the chain clanked.
His wife, wheelchair-bound, never went out, had probably never seen it,
Didn't want it, never liked Rog going off 
-- And the boat went up for sale very soon. Madeline watched. 
She wanted the boat very badly, but she had no money.
The boat was the grief she was not allowed to exhaust.

Hey mama, mama don't you want to go...

It was mostly the Ypres Castle, up salty or icy steps 
from Fishmarket Road, empty beer gardens, the benches shining,
Fremlins, King & Barnes,
 
The bands were people Madeline sort of knew to nod to,
Best was a pianist from Cranbrook who (so it was said)
Was now a big name in New Orleans, John Cleary. 
His singing voice was pure Louisiana, of course, but a little light;
His playing technique formidable, and the overall effect -- 
Cheerful... like a half of Harveys. She could drink much more than me.

Madeline had a mother who sometimes came to stay,
(Causing massive increase of stress in both of them).
She had a nephew in Ashford that she loved,
and used to tell me his jokes:
What's orange and sounds like a parrot?  
A carrot. She also watched Coronation Street,
And a Sunday evening serial about yachts, passion and money
                called Howard's Way.
She had two cats, one of whom dominated the other,
And a B.Ed degree on the go at a college in Brighton.

We went drinking in Rye a lot, sometimes every night for a week.
We went to pubs with bands, because Madeline liked the blues
(She liked morris dancing too, and she made me laugh).
The cops were always pulling me over and breathalysing me,
So we started to drive home through the lanes where cops never went.
One night in the bottoms we got out to piss. I finished first. 
                The air was heavy with meadowsweet.
I lit a fag, then I got in the car and put on a tape. Finally Maddy returned.
                The dark trees loomed over the car.
The same tape she liked last week she didn't like now.
She'd really lost it. I looked at her.
Her trouble had replaced her beauty
Her trouble had replaced her youth,
It had stolen their virtues, become desirable,
Become rich and ardent.
Somewhere between Pett and St Lawrence Guestling,
Flooded with Fremlins, 
Meadowsweet nettles oaks rabbits bracken,
The car puttered onto the down and dropped into town.

 
We were both in our thirties, no, I was 29. She despised my work
& criticized my interests (e.g flowers), 
                 which she thought insincere.
I didn't like her any the less for these words,
                  maybe I felt superior.
I was sorry she hated cathedrals.
(Religion and history, her vehement dislikes...)
Those days in Canterbury, tormented by jealousy,
I had waited by a side chapel for a priest to hear confession

In her toilet, you were meant to strike a match to 
                   clear the air when you'd finished.
Oh, and she made the garments for Daisy Roots, 
                   she held the first one up to show me: 
The pattern was yellow around a white disc.
I said (stupefied) "But daisies have the yellow on the inside!", 
                   she wouldn't at first believe me that they
                   were so like fried eggs.

Down there, masts sticking up like a pole park,
Can't see the boats until you climb out of the road.
Working soaked chips free from the bottom of the bag.
The boats two abreast along the W. berths 
The Lizzy, was that the wizard's boat?
Small boat, brown, serviceable, 
               its mast a little back of vertical,
               plastic cover hung over the boom,
Fenders all dangling like flour-bags
Moon and boats in the water, shimmering...
The sound of a train... 

On Armada day, the Daisy Roots were dancing at a beacon
Up in Mad Jack Fuller's country. On the way there (through sunset lanes)
I ran over a rabbit, and saw in the rear-view mirror
Its companion come to sniff over its crushed body, still flipping.
My mind went dark, I said nothing to Maddy, 
Who couldn't bear the least touch of distress. 
 
At the bonfire we ran into Bryn and Vicky, with the baby in morris rompers.
I didn't dance, but I did burn my mouth with pure powdered Colemans 
On a hot dog dripping onions, and knocked over my beer on the grass.

Then the boat was gone & didn't come back,
                gone to Essex or Southampton I imagined,
Anyway sold up, all Rog's and Madeline's love-filled trips
                In the channel, over to France,
Spray, darkness, storm lanterns, tobacco tins, camping Gaz,
Clandestine sex where no eye could spy or listener guess.

And then, we stopped going to Rye...

Then, in winter, she saw something in Friday-Ad
(Everyone read all of Friday-Ad every Friday)
It was Rog's jacket, his wife was selling Rog's jacket.
She thought it over, how many times had he 
               taken her under his wings on a blowing day 
               south of St George's lightship? Twice, maybe,
               but she felt she knew every thread. 
No-one else should have the jacket. Trembling, she threw on a 
Ridiculous disguise, supply-teacher suss, 
Went round to the house and spoke in an altered voice.
(Though this was the only time she ever did meet Rog's wife
Who knew how much she knew? Or was it that, face to face,
She would give herself away, starting to speak of him
To the only other woman who knew him?)

She got the jacket. It smelt of Rog, of soot, salt, Golden Virginia
And him. She wrapped it around her and slept on the sofa
In the smell of his arms for eleven hours.

And then, she was all right. The next time I saw her
Was at Sheila's wedding next spring with her tongue down the best man's throat,
A freelance consultant, 25-ish, whom she married.

They bought the upstairs flat for his office and the freehold,
(The flat that was Bryn and Sheila's when we met)
Then pretty soon after they moved to Barnet.






VOICES LYING IN THE DUNES AT CAMBER SANDS  


Mum, are there any towels around here?

No. What do you want a towel for.

I can make smoke come out of my feet

Joshua, come ‘ere.

Joshua, why are you being rude to your mother

You’re splintering your foot, darling

Come on then, Mummy race you down the sand-dune, come on!

 oo    - ah     - ow     - ah!

Josh, it’s yours!

It’s a trick, Cerys.

If you do that one more time Joshua you’ll answer to me.

And don’t go near them railings, I can’t get you to hospital if you kebab yourself. 

Ah!   It’s hot

Verity that’s a bit silly. Everyone’ll get covered in sand. 

No. We’re going home. 

I glanced up, my daughter was waving and laughing.

Sorry – we got involved in a mud-fight. 

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Thursday, January 06, 2022

Epiphany



So, have the Christmas decorations come down? Certainly not. In this little outpost of Scandinavia they'll stay up until the twentieth day of Christmas, that is, Knut's Day (January 13th). 

That's the day of julgransplundring (plundering the Christmas tree), an occasion enjoyed by all children. To be more precise, it's the last day of julgransplundring. My mum tells me that in Sundsvall it took place over several days, so the children could go from neighbour to neighbour seeing the decorations and having a celebration at each household. It was during one such visit, at the age of five, that my mum received her first marriage proposal, from the similarly aged Åke Frisk. In order to represent their new status, Åke instructed her to make the motion of stirring the cooking pot.

Anyway it seems a bit premature to have the house bare on the day of the Three Kings, the main celebration in Spain. And in the Orthodox Church today is Christmas Eve, tomorrow is Christmas Day...

Epiphany:  God revealed in the infant Jesus Christ. In secularized form the word has come (from Joyce?) to mean a sense of revelation in some natural scene or event. It's become rather an insult-word, a way to label and dismiss one common type of modern poem. 

But still, we begin to look outside the festive season and beyond. To Veganuary and our resolutions and the whistling of the birds. 

The gorse was flowering at Bulverhythe (St Leonards-on-Sea). This one had a little Christmas decoration of its own.




It's the webby tent of the Gorse Spider Mite, Tetranychus lintearius.





Potential biomedical uses of the incredibly fine silk: 

https://www.nature.com/articles/s41598-020-74766-7



Easily missed among residential streets, these are the ruins of the chancel of St Mary Bulverhythe. The church dates from shortly before 1372, but re-used materials from an earlier Norman church established by the devout Robert Count of Eu and Lord of Hastings. He was one of William's main supporters in 1066, and was given Hastings Castle in 1068. 






[Image source: https://www.flickr.com/photos/phil_sellens/3999206240/ . Undated illustration of St Mary Bulverhythe, posted by Phil Sellens. Copyright: Creative Commons.]

The water in the background was a sea inlet at Glyne Gap. Today it's marshland. 



The former sea inlet at Glyne Gap (between Bulverhythe and Bexhill).



The beach at Bulverhythe, looking towards St Leonards Marina. This is the spot where, at very low tide, you can see exposed ribs of the Amsterdam, an East Indiaman that went down in a storm on 26 January 1749. It is the best preserved remnant of a Dutch East India vessel and is the property of the Dutch government, who have ambitious plans to move it in toto to the Netherlands. (There is currently a full-size replica at the Dutch National Maritime Museum.)

https://the-past.com/review/whats-on/the-shipwreck-museum-hastings-and-the-wreck-of-the-amsterdam/

I'm saying it went down in a storm, but the online narratives do vary quite a bit.

https://www.dailymail.co.uk/news/article-430961/Bloody-past-wreckers.html

*

The easterly part of Bulverhythe was once known as Bo-Peep. There was an inn here, called the New England Bank, above the river Asten. One of its visitors was John Keats (Haydon had recommended it); Keats was just getting going on Endymion, in late May 1817. Bo-Peep was quite an isolated place then; this was ten years before the Burtons started building their fine new resort named St Leonards on Sea. It was while staying here that Keats met and kissed Isabella Jones. 

https://johnkeats.uvic.ca/1817-05-01.html

https://ryesown.co.uk/the-bulverhythe/

https://www.hastingspubhistory.com/page16.html


*


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Saturday, May 08, 2021

Blossoming East Sussex

 

Cardamine pratensis. Battle, 7 May 2021.


I'm just back from a quick visit to East Sussex and, of course, I snapped a few flowers along the way. We start on a walk in Barne's Wood, near Battle, with one of the most familiar of spring sights.

Lady's Smock or Cuckoo Flower (Cardamine pratensis, Sw: Ängsbräsma). Throughout British Isles and all across Europe. And it almost reaches the top of Sweden, though the ones with coloured petals (ssp. pratensis) are mainly seen in the south. 

Like all other Brassicaceae species Lady's Smock is edible, but the leaves aren't very big and it seems rather a shame to harvest such a pretty plant when there are so many other choices. 

According to internet sources Lady's Smock is regarded as sacred to the fairies and hence as bad luck if you bring it into the home. As usual with these folkloristic claims, it's difficult to get a sense of context: how many people held this belief, and where and when. But I do think a group of Lady's Smock has the right sort of otherworldly feel: slender, dancing, self-sustaining, mysteriously circumscribed. This last, I suppose, is because it prefers distinctly wet spots. 

For whatever reason, it struck me as more frequent and noticeable in East Sussex than back here in Frome (where, however, it's still entirely commonplace). 



Leaf of Cardamine pratensis. Battle, 7 May 2021.

Flowers and developing fruits of Cardamine pratensis. Battle, 7 May 2021.

Prunus 'Shogetsu'. Battle, 7 May 2021.


Unusually, I found East Sussex lagging a week or so behind my hometown in Somerset (the recent weeks of continental high pressure were much colder down there). Accordingly, I was able to take a picture of the late-flowering cherry 'Shogetsu' at its best -- our own cherry-blossom season is fading now. 

Vaccinium corymbosum. Battle, 6 May 2021.


Blueberry (Vaccinium corymbosum) in bloom. My mum grows them in tubs on the patio. It's a nice choice; the small bushes have pretty blossom and attractive leaves that change colour through the seasons. And they produce enough of the delicious berries to improve quite a few September desserts. They're native to eastern North America. 

Vaccinium corymbosum. Battle, 6 May 2021.


Erythronium 'Pagoda'

This plant was a complete surprise, suddenly springing up in a part of the garden that had never been worked on, some months after my dad pruned back the shrub border. It's a variety of Erythronium called 'Pagoda' that has become popular with gardeners as a great choice for bringing some vibrant colour to shady spots. It's probably of hybrid origin, but one parent must certainly be Erythronium tuolumnense (Tuolumne Fawn Lily). This Californian species, unlike most of the others, produces several flowers on the same scape. 

The mostly-New-World genus Erythronium is called Dog's-tooth Violet by British gardeners. "Dog's-tooth" refers to the shape of the bulbs. "Violet" may seem inappropriate, but it arose because the sole European species, Erythronium dens-canis, has purplish-pink flowers and a passing resemblance to a violet. (It's this European species, too, that suggested the scientific name Erythronium, derived from Ancient Greek "eruthros" (red).) 



Also in my mum and dad's garden: a rather magnificent tree-heather ...


... some fiery tulips...


... and also this one, a lot less fiery but no less arresting. It might be Tulipa 'Spring Green' or Tulipa 'Deirdre', based on a very superficial search. Anyway it's definitely in Division 8 (Viridiflora). (Tulip varieties are classified in fifteen divisions.) 


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Thursday, July 16, 2020

Bexhill-on-Sea



Sea Kale (Crambe maritima). It is a good vegetable and  had become rather rare until harvesting the wild plants was banned, around 100 years ago.

Glaucium flavum (Yellow Horned Poppy)

Glaucium flavum (Yellow Horned Poppy)


Looking west. Eastbourne, with the headland of Beachy Head behind it, in the far distance.


These photos are from strolls on the beach at the eastern end of Bexhill-on-Sea.

*

Ruth Gipps (1921 - 1999), composer, born in Bexhill. (The Radio 3 folk pronounce her surname with a hard G; both English and Swedish are deeply conflicted about pronouncing the letter G.)

A composer whose reputation is now steadily growing. Here's her Seascape, Op. 53, for double wind quintet.





Bexhill's De La Warr Pavilion (1935), by Erich Mendelsohn and Serge Chermayeff,  is one of the most beloved of modernist buildings.

Very near to my sister Annika's house is the SSSI High Woods, containing the only Sessile Oak coppice in Sussex.

For fans of Keane (like Annika and me) the Sovereign Light Café, at the western end of Bexhill, amounts to a sort of shrine.

The oldest known spider's web,140 million years old, was found at Bexhill (preserved in amber).



Looking towards Galley Hill. Behind it is Glynde Gap, then Bulverhythe, then St Leonards-on-Sea, then Hastings.

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Wednesday, November 16, 2016

2016 in fireworks

Battle Effigy stuffed with fireworks,  Morning of 5th November 2016

Brief history of the Battel Bonfire Boyes, the oldest of the Sussex firework societies:
http://www.battelbonfire.co.uk/BriefSocity.php


This year's bonfire night celebrations also commemorated the 950th anniversary of the Battle of Hastings, fought upon this spot.

The legend on the effigy says:



1066 - BREXIT

950 YEARS OF IN-OUT IN-OUT SHAKE IT ALL ABOUT! 




I find myself thinking about Rudyard Kipling, a local to these parts. Most literary people tend to be Europhiles. Even Kipling was a Europhile now and then.

But he's also one of our few really great writers who would, I feel pretty certain, have been a Brexiter. And he, of them all, has some measure of insight and empathy with the values, utterly mysterious to most literary people, of "Middle England".

Since the self-sabotage of the Brexit vote, we cosmopolitan liberals have been rightly self-recriminating about our failure to be aware of or take seriously the concerns of dead-end shit-holes in post-industrial Wales and the North, and we talk about how we've been punished by a "working-class revolt".

It's salutary that this is being talked about, but the bulk of Brexit votes can't be accounted for as the howl of poverty in Caerphilly or Middlesborough. The bulk of Brexit votes were not a protest vote, but the settled opinion of Middle England. And this, too, is something we'll eventually need to try and understand.



A Norman Eurocrat faces Donald Trump, Nigel Farage, Boris Johnson, Theresa May and Jeremy Corbyn


........

‘We wasn’t throwin’ nothin’. We was cuttin’ out they soft alders, an’ haulin’ ’em up the bank ’fore they could back the waters on the wheat. Jim didn’t say much, ’less it was that he’d had a post-card from Mary’s Lunnon father, night before, sayin’ he was comin’ down that mornin’. Jim, he’d sweated all night, an’ he didn’t reckon hisself equal to the talkin’ an’ the swearin’ an’ the cryin’, an’ his mother blamin’ him afterwards on the slate. “It spiled my day to think of it,” he ses, when we was eatin’ our pieces. “So I’ve fair cried dunghill an’ run. Mother’ll have to tackle him by herself. I lay she won’t give him no hush-money,” he ses. “I lay he’ll be surprised by the time he’s done with her,” he ses. An’ that was e’en a’most all the talk we had concernin’ it. But he’s no bunger with the toppin’ axe.

‘The brook she’d crep’ up an’ up on us, an’ she kep’ creepin’ upon us till we was workin’ knee-deep in the shallers, cuttin’ an’ pookin’ an’ pullin’ what we could get to o’ the rubbish. There was a middlin’ lot comin’ down-stream, too—cattle-bars an’ hop-poles and odds-ends bats, all poltin’ down together; but they rooshed round the elber good shape by the time we’d backed out they drowned trees. Come four o’clock we reckoned we’d done a proper day’s work, an’ she’d take no harm if we left her. We couldn’t puddle about there in the dark an’ wet to no more advantage. Jim he was pourin’ the water out of his boots—no, I was doin’ that. Jim was kneelin’ to unlace his’n. “Damn it all, Jesse,” he ses, standin’ up; “the flood must be over my doorsteps at home, for here comes my old white-top bee-skep!”’

‘Yes. I allus heard he paints his bee-skeps,’ Jabez put in. ‘I dunno paint don’t tarrify bees more’n it keeps ’em dry.’

‘“I’ll have a pook at it,” he ses, an’ he pooks at it as it comes round the elber. The roosh nigh jerked the pooker out of his hand-grips, an’ he calls to me, an’ I come runnin’ barefoot. Then we pulled on the pooker, an’ it reared up on eend in the roosh, an’ we guessed what ’twas. ’Cardenly we pulled it in into a shaller, an’ it rolled a piece, an’ a great old stiff man’s arm nigh hit me in the face. Then we was sure. “’Tis a man,” ses Jim. But the face was all a mask. “I reckon it’s Mary’s Lunnon father,” he ses presently. “Lend me a match and I’ll make sure.” He never used baccy. We lit three matches one by another, well’s we could in the rain, an’ he cleaned off some o’ the slob with a tussick o’ grass. “Yes,” he ses. “It’s Mary’s Lunnon father. He won’t tarrify us no more. D’you want him, Jesse?” he ses.

“No,” I ses. “If this was Eastbourne beach like, he’d be half-a-crown apiece to us ’fore the coroner; but now we’d only lose a day havin’ to ’tend the inquest. I lay he fell into the brook.”

“I lay he did,” ses Jim. “I wonder if he saw mother.” He turns him over, an’ opens his coat and puts his fingers in the waistcoat pocket an’ starts laughin’. “He’s seen mother, right enough,” he ses. “An’ he’s got the best of her, too. She won’t be able to crow no more over me ’bout givin’ him money. I never give him more than a sovereign. She’s give him two!” an’ he trousers ’em, laughin’ all the time. “An’ now we’ll pook him back again, for I’ve done with him,” he ses.


..........


(from "Friendly Brook", Rudyard Kipling, 1914)





Later the same day...

[Image source: http://www.battelbonfire.co.uk/2016/Bonfire/Bonfire.php]



Bonfire, Battle Market Place, 5th November 2016

[Image source: http://www.battelbonfire.co.uk/2016/Bonfire/Bonfire.php]


Saxon and Norman on roundabout in Battle, commemorating the 950th anniversary of the Battle of Hastings








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